I approach my practice as an act of listening, to materials, to stories, and to the spaces where memory and form intersect. I believe storytelling is not limited to language alone, but lives in texture, rhythm, repetition, and the physical presence of objects. Typography, for me, moves between language and object, holding traces of emotion, history, and memory.

Resisting the speed of screen-based culture, I work through material processes, paper, ceramics, wood, leather, cane, print, and light, to explore how meaning is shaped through time, touch, and form. By bridging traditional craft practices with contemporary design tools, I see design as a living language, one that evolves while holding onto the past.

Through my work, I aim to create tactile, immersive experiences that invite people to slow down, engage physically, and connect with stories in a deeply human way.